Arthur Miller’s “The Crucible” is a perfect fall show, particularly when executed in a community garden in the Lower East Side. One of my proudest production design efforts (costume & sets), I was able to build out one wall with salvaged oak flooring which functioned as both the inside and outside of structures. The costumes…
Affectionately referred to as “The Puppet Dress,” this piece was selected by St Ann’s Warehouse for development during the 2010-2011 Puppetlab. Additional performances were done at The FIGMENT Project weekend festival on Governors Island as well as Gemini & Scorpio‘s “Lost Circus” event. From the Messenger Theatre Company website: “Seeing Inside” takes place under the skirt of Lou Andreas-Salome…
Mr. Lackobreath is the luckiest man alive, but soon after his wedding, his life becomes a high-spirited comic nightmare. Punch and Judy meets the Book of Job in Professor Ralph’s neglected masterpiece. [Not a valid template]
A wandering preacher is embroiled in the passions and politics of a swampy Florida outpost ruled with a macabre sense of justice by two rival sisters. The Oath is a darkly comic look at balancing ambition and ideals in a time of crisis.
A minor update to the Ionesco classic – this time setting it in a homogenous American town of the 1950s, reflecting the contemporary fear of ‘the other’ emerging in the post-9/11 world. Directed by: Indhu Rubasingham Costume & Puppet Design: Jess Hooks Wright Hall Theater, Davis, CA 2003