Arthur Miller’s “The Crucible” is a perfect fall show, particularly when executed in a community garden in the Lower East Side. One of my proudest production design efforts (costume & sets), I was able to build out one wall with salvaged oak flooring which functioned as both the inside and outside of structures. The costumes…
When an old friend asked if I could do her wedding decor I jumped. I knew this would take place at her families compound on a small island off the coast of Maine. The family has owned the property for several generations (I think 5, maybe 6) and it shows: the tiny cottage that has several…
Affectionately referred to as “The Puppet Dress,” this piece was selected by St Ann’s Warehouse for development during the 2010-2011 Puppetlab. Additional performances were done at The FIGMENT Project weekend festival on Governors Island as well as Gemini & Scorpio‘s “Lost Circus” event. From the Messenger Theatre Company website: “Seeing Inside” takes place under the skirt of Lou Andreas-Salome…
Mr. Lackobreath is the luckiest man alive, but soon after his wedding, his life becomes a high-spirited comic nightmare. Punch and Judy meets the Book of Job in Professor Ralph’s neglected masterpiece. [Not a valid template]
A wandering preacher is embroiled in the passions and politics of a swampy Florida outpost ruled with a macabre sense of justice by two rival sisters. The Oath is a darkly comic look at balancing ambition and ideals in a time of crisis.
Get it? De-Composing?
Dead 1950s-esque guy group performs from the afterlife a musical review of American Songbook classics. Directed by: Gayle Gearhart Millbrook Playhouse 2005
Claude Cahun, photographer and member of the French resistance, is an often overlooked figure in the pantheon of her surrealist contemporaries. The project involved setting up camp in Brighton for about a month, building a set in a conference room at The University of Sussex and filming on location in Jersey and the former home…
Part of the “Poodle Postcard” experiment was to have theatergoers see what performers do: the audience. The majority of company members were performing in the house – however there were an additional 6 performers whose backs faced the audience. The audience experience was meant to be similar to that of those 6, watching the crowds and fans react to…
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